dunbar-pottery.co.uk Report : Visit Site

Technical data of the dunbar-pottery.co.uk

Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host dunbar-pottery.co.uk. Currently, hosted in United Kingdom and its service provider is Bytemark Computer Consulting Ltd .

the related websites

studiopottery.co.uk dayoutwiththekids.co.uk 

HTTP Header Analysis

HTTP Header information is a part of HTTP protocol that a user's browser sends to called Apache containing the details of what the browser wants and will accept back from the web server.

DNS

HtmlToText

skip to content dunbar pottery philip revell menu introduction about gallery contact news ceramic review article -earth, wood and fire publications scroll down to content gallery these are few pictures of pots from recent firings. click on any picture to enlarge. stoneware bowl, 32cm dia., natural ash flashing, shell marks, white slip mug, 9cm h, natural ash and flashing, shino glaze inside porcelain bowl, 25cm dia, natural ash, flashing, shell marks porcelain cups, 6cm h, natural ash, flashing and wad marks porcelain bowl, 23cm dia, natural ash and flashing, shell marks porcelain bowl, 26cm dia, natural ash and flashing, shell marks stoneware bowl, 22cm dia., natural ash flashing, shell marks porcelain bowl, 22cm dia, flashing, shell marks platter, 56cm dia, natural ash, porcelain slip teabowl, 10cm h, blue glass, natural ash, shino glaze inside small bottle 2017, 14cm h, natural ash and wad marks bellied jug 2017, 40cm h, ash glaze and natural ash footed bowl, 20cm h, ash glaze and natural ash porcelain bowl, 30cm dia. natural ash flashing handled bottle, 38cm h, ash glaze and natural ash dish, 24cm dia., porcelain slip and natural ash porcelain dish, 25cm dia., flashing and natural ash porcelain dish, 25cm dia., natural ash and shell marks teabowl, 9cm h, ash glaze, porcelain slip and natural ash porcelain bowls, 14cm dia, natural ash pasta dishes, 24cm dia, wad marks teabowl, 10cm h, shino glaze, blue slip and natural ash tall jug, 60cm h, ash glaze and natural ash dish, 27cm dia, shino glaze and natural ash porcelain cylinders, 20cm h, natural ash squared bottle, 22cm h, shino glaze mugs, 8cm h, natural ash small bowls, 8cm h, ash glaze porcelain bowl, 18cm dia, natural ash handled dish, 32cm dia, ash glaze and natural ash news posted on september 6, 2018 wild clay pictures with many thanks to viv lee for sharing these pictures from the wild clay weekend at pishwanton wood in august. the decidedly damp weather made it something of a challenge to go from digging local clay and making pots to firing them in a bonfire, all in one weekend. but, with the help of an … continue reading “wild clay pictures” posted on july 9, 2018 july 31, 2018 wild clay weekend join me for a ‘wild clay’ weekend at pishwanton wood near gifford in east lothian on 18-19th august. this experiential two-day course will give you an introduction to hand-building pots using locally dug clay and to the transformational power of fire. for more information and to book your place see here . posted on november 13, 2017 november 13, 2017 christmas exhibition 2017 it’s that time of year again. this year, my one-weekend-only open studio, pre-christmas selling exhibition will be on saturday and sunday, 2nd/3rd december. my studio at 27 high street, dunbar will be open both days from 10am to 4pm. as well as a new selection of wood fired stoneware and porcelain pots from the anagama … continue reading “christmas exhibition 2017” introduction almost forty years on, i remain fascinated by the plastic nature of clay and its transformation into ceramic by heat. what started as a therapeutic antidote to academic research, and the challenge of learning to throw on a potter’s wheel, remains a crucial part of seeking a balance between head, heart and hands. throwing turned out to be just the start of an ongoing process of exploring this exacting and technical craft. i now choose to fire with wood, in a large kiln that i currently fire just once a year. the slow production cycle and unpredictable results require a level of detachment from concerns with efficiency, productivity or tight control. a lot can, and does, go wrong but it is the accidents, happy or otherwise, that often lead to new avenues to explore. it is left to the flames, licking, flashing and depositing fly ash during the three-day firing to leave their mark and decorate the pot surfaces. almost a day into the firing, when the temperature reaches about 1000 o c, the chimney struggles to pull in sufficient air for full and clean combustion each time the firebox is stoked with wood. the mysteries of this ‘reduction’ atmosphere bring out a rich palette of red through purple, orange and browns in the clay whilst carbon trapping gives greys and black and melting ash deposits fuse to form a glaze. how best to stack the pots in the kiln, the firing schedule and the composition of the clay body are subject to ongoing (albeit slow) experimentation. to prevent the pots from fusing together with melted ash, the pots must all be separated from the kiln shelves, and from each other, with refractory wadding (made from fireclay, sand and sawdust) or with seashells. the stacking is a slow process, a three dimensional puzzle to maximise use of space in the kiln whilst leaving suitable paths for the flames to find a way through all parts, top, bottom, left and right from the firebox through to the chimney. many pots are fired on their side. bowls are often fired upside down, stacked on top of each other, to encourage the flames to lick across and flash the inside surfaces. simple wood-ash or shino glazes are sometimes also used. my current kiln was built in 2010 and is fired for three days and two nights with the support of an enthusiastic team of helpers. the top temperature of around 1340 o c is reached on the second day and is held for around 24 hours before the kiln is reduction cooled and sealed. the pots can be unloaded, cleaned and sorted a week or so later. about my studio is in the basement of 27 high street, dunbar, an historic coastal town thirty miles east of edinburgh. i have an ‘anagama’ style woodfired kiln a few miles away near east linton. as a largely self-taught potter, i find the attempt to master the many facets of this exacting and technical craft to be an ongoing challenge -which is what keeps me at it. apart from the physical challenge of throwing and manipulating clay, there is also the need to develop an appreciation of form, to understand the raw materials that can make up a clay body or create a glaze, to experience how these materials interact and are transformed by fire, the challenge of designing, building, loading and firing a kiln. above all, there is the challenge of coping with, and learning from, the ups and downs, the successes and failures -and then there is the challenge of educating the public to understand and appreciate hand skills and craftsmanship, and of creating a market. i originally studied engineering, developing a particular interest in renewable energy, ‘appropriate technology’ and environmental issues -much influenced by e.f schumacher’s book ‘small is beautiful’ and other writers of the 1970’s. this led me to research at warwick university where i happened upon david jones’s pottery studio which he then ran in some outbuildings on the edge of campus. intrigued by the process of throwing, i enrolled for evening classes and found working with clay to be the essential balance to academic research that i was craving. in 1986, returning from spending several years working with groups of peasant farmers in newly independent zimbabwe, i set up my first workshop whilst working at the centre for alternative technology in mid-wales. whilst there i was able to attend courses with phil rogers and also with takeshi yasuda who both had considerable influence on my work and approach. in 1990 i moved to dunbar and set up my current studio on dunbar high street. apart from making pots, i have remained involved with various environmental and community development projects over the years, including running courses and activities which use clay as a route into environmental education and awareness. i am currently a freelance researcher and consultant as well as being a volunteer for our local ‘transition’ initiative and development trust, sustaining dunbar which i helped to set up in 2007. i am also closely involved with the scottish communities climate action network, the scottish community alliance and community e

URL analysis for dunbar-pottery.co.uk

https://i0.wp.com/dunbar-pottery.co.uk/files/2018/01/stonewarebowl3-e1515700323918.jpg?ssl=1
https://dunbar-pottery.co.uk/contact/
https://dunbar-pottery.co.uk/news-2/
https://dunbar-pottery.co.uk/2018/07/wild-clay-weekend/
https://i0.wp.com/dunbar-pottery.co.uk/files/2017/11/2017-stack1u-copy-lowres.jpg?ssl=1
https://i2.wp.com/dunbar-pottery.co.uk/files/2017/11/porcelain-bowl-2.jpg?ssl=1
https://i1.wp.com/dunbar-pottery.co.uk/files/2018/01/large-bellied-jug-e1515700390397.jpg?ssl=1
https://i2.wp.com/dunbar-pottery.co.uk/files/2010/10/2014-11-15-16.13.42-copy.jpg?ssl=1
https://i0.wp.com/dunbar-pottery.co.uk/files/2017/11/mug.jpg?ssl=1
https://i0.wp.com/dunbar-pottery.co.uk/files/2010/10/dish.jpg?ssl=1
https://i1.wp.com/dunbar-pottery.co.uk/files/2017/11/porcelain-bowl.jpg?ssl=1
https://dunbar-pottery.co.uk/2017/11/christmas-exhibition-2017/
https://dunbar-pottery.co.uk/earth-wood-and-fire/
https://i2.wp.com/dunbar-pottery.co.uk/files/2017/11/porcelain-dish.jpg?ssl=1
https://i0.wp.com/dunbar-pottery.co.uk/files/2010/10/teabowl3.jpg?ssl=1
scottishcommunityalliance.org.uk
communityenergyscotland.org.uk
scottishcommunitiescan.org.uk

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Error for "dunbar-pottery.co.uk".

the WHOIS query quota for 2600:3c03:0000:0000:f03c:91ff:feae:779d has been exceeded
and will be replenished in 50 seconds

WHOIS lookup made at 19:01:37 27-Sep-2017

--
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:

Copyright Nominet UK 1996 - 2017.

You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS dunbar-pottery.co.uk

  PORT 43

  TYPE domain

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED no

DOMAIN

  NAME dunbar-pottery.co.uk

NSERVER

  NS2.123-REG.CO.UK 62.138.132.21

  NS.123-REG.CO.UK 212.67.202.2

Mistakes

The following list shows you to spelling mistakes possible of the internet users for the website searched .